BSA227: Changes

Our story has gone through quite a lot of changes from the initial idea of incorporating tiny planets.
I will be honest, I haven’t had a huge hand in the actual story development – most of that has been Kate’s work. As we got into the process I found I preferred to be working more the practical filming and editing side of the project. I think this was because I felt Kate had more of an idea of what should be happening in the story from the start and some of my attempts at ideas really weren’t working. Developing ideas for stories is usually something I really enjoy spending my time on, but for some reason I didn’t do well with that for this project.

Even though our story has been changing constantly, we’ve generally had a pretty solid idea of the content of the film. We were always planning to film various landscapes then manipulate and distort them to give an uncomfortable feeling. With this in mind, we were able to go and film and photograph different locations, providing us with a bunch of material that we would be able to decide whether or not we use later on.
I ended up going on a couple of solo missions out to Riverton with a Canon 7d, a fisheye lens and a macro lens (which I have already posted about).

I found myself stressing over the project and thinking I couldn’t do anything because Kate wasn’t there at that moment so I just opened up Premiere Pro, imported the best clips and began colour correction. I wasn’t very confident with After Effects and didn’t think I would be able to produce much from spending hours trying to figure it out again, so I thought my time would be better spent doing something I was confident with.
With the colour correction on the Fortress Cliffs clips, I tried to make it feel a bit like an Instagram post – like someone had put a filter on a photo and was now imagining it coming to life. I did this by pulling out the blacks, lowering the whites, and bumping up the saturation a little. Considering it was filmed on the Black Magic camera it was quite dull to begin with.

In After Effects, I played with the presets and effects and found one (I can’t remember what it’s called) that pinched together parts of the images and puts them into spheres which I then made move around the frame. Parts of it looked a bit like the tiny planet effect Kate and I wanted to create in the first place.

I also put together a sequence in Premiere Pro where I flipped the footage of the cliffs 180˙ then cut, frame by frame, between the flipped images before settling on the upside down one and fading it into black and white. I also reversed the upside down footage so the waves move the wrong way.

I’m not sure how these will fit into the final film, but I’m interested to see how we can incorporate these sequences.

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